do it Moscow

Conceived by curator Hans Ulrich Obrist, do it began in Paris in 1993 as a result of a discussion with the artists Christian Boltanski and Bertrand Lavier about how to make exhibitions more flexible and open-ended. The conversation developed into the question of whether a show could be made from “scores” or written instructions by artists, which could then be openly interpreted every time they were presented. How would an artist’s work be transformed if others made the artwork?

At the beginning, Obrist invited twelve artists to contribute instructions that were translated into nine different languages and circulated internationally as a book. Soon afterwards, do it exhibitions were being realized all over the world, from Reykjavik to Siena, Bangkok to Mexico City. New instructions were added for each incarnation, so that today nearly 400 artists have contributed instructions to the ever-evolving project, offering infinite creative possibilities for the participants who enact them. Twenty years after its conception, do it has become the longest-running exhibition ever.

For Garage, staging do it Moscow creates new opportunities for involvement by and with local communities. The generative and democratic nature of the project enables the institution to continue exploring ways to broaden access and participation in contemporary art, which is central to Garage’s mission.

Intensive collaborative work started in January with various communities across Moscow, resulting in more than 80 instructions being interpreted by people who live and work in the city. These include the publics that visit the Center and the park, students in art, design and performance, fashion designers, fashion-store employees, staff of museums and art institutions across the city, young and established Russian artists as well as Garage staff and Gorky Park administration.

Visitors will find “do its” everywhere at Garage, whether in the form of “fortune cookies” in the cafe, a performance at the reception desk, a workshop in the lobby, or a noisy bazaar on the lawn. On leaving Garage, one can still be part of do it Moscow by participating in events such as the “planetary dance” procession staged at the Krymskaya Embankment based on instructions by renowned choreographer and dancer Anna Halprin, or by responding to the challenging task set by Japanese artist Shimabuku to “make an animal smile” or one can dance with a large piece of chalk at the Park of Arts “Muzeon”, as instructed by American artist Joan Jonas.

Garage is also pleased to announce that PUMA Social Club has become an official parallel venue of do it Moscow. Located in Gorky Park, it offers an alternative recreation space, a place for sport contests, exhibitions, film screenings, and many other entertaining activities. Within the exhibition do it Moscow, PUMA Social Club will present street performances, installations and interactive objects as interpretations of various artists’ instructions.

Do it Moscow also includes exclusive new instructions by Russian artists such as Yuri Albert, Nikita Alexeev, Valia Fetisov, Oleg Kulik, Andrei Monastyrski, Anatoly Osmolovsky, Alexander Petrelli, Sergey Sitar, Electroboutique and Konstantin Zvezdochetov.

A number of the artists’ instructions are performed by other artists or theater actors within the main exhibition space. These live events occur at different times throughout the period of the show and have no fixed location, popping up alongside the more permanent enactments.